Henri drawing in the light & dark...

Not much rhyme (or reason) but when has that stopped me? Last night, Gilot's book (see yesterday's post) beckoned. But 'me toof' is feeling uncomfortable, so merely looked at the lovely letters Matisse drew/wrote to Françoise (& Picasso)...adorned with flower/marguerite shapes. Really sweet. I'm going to write one using a similar design (& will credit HM).

Reading The Clever Pup's post yesterday (& today) on Van Gogh, Gaugin, & "The Ear" controversy/mystery keeps me thinking about the friendship & rivalries between & amongst artists (including writers/poets)...If one would have to choose a friend in this group, I would definitely choose Matisse. I'll be overly familiar & call him Henri.

Gilot writes that he was a kind man, even if he liked gossip (the "news" really), she never heard him be nasty. Liked juicy tidbits like anyone--particularly when he was laid up so terribly with his arthritis, I suppose. He was always busy soliciting art works for auctions to help Jewish children survivors & so on. Look at the Giulia Geranium blog even once & you'll know, if I didn't love him before (I did), now I swoon. I forgot that he was so involved. Partly this overly-emotional reaction is because I'm preparing to perish in a sweet-but-still-sadistic dentist's chair tomorrow. Sniff. Posting a photo tonight of Suzy Parker from a Coty ad...for fun. After midnight so technically I won't miss a day of posting. Oh roll your eyes, that's fine! Also I want to do Tina Tarnoff's tag but it will have to be on the weekend. Have a demonstration to attend (am I pest or what?) on Saturday, but Sunday should be free from rabblerousing.

These are from the LIFE archives (where else? I really need a camera). The light drawing is by Gjon Mili, in 1949. Must be from the same trip south to see Françoise & Pablo P. Mili took one or two with Picasso doing same. It's Mili playing with exposures....worse ways to spend some time, eh?

The b&w is by Dmitri Kessel in 1950 in Vence (Matisse is working on drawings for the chapel there. It reminds me of his letter-drawings to Gilot. The chapel & Vence are related to one of my writing projects... I just thought of it. That's why the blood oranges, figs, & photos of Vence from, a month or so ago? Just realized it.)

Françoise in Light & Dark

So many people send me that American Girl in Italy postcard by Ruth Orkin. Some people (still) use a song's lyrics, too, & think they're complimenting me. It is one of my favorite Dylan songs but please. I was thinking about it when I saw these pix. [She's got everything she needs/she's an artist, she don't look back/ (She Belongs to Me)]

Françoise Gilot, annoyingly referred to only as "Picasso's mistress," in a multi-exposure by Gjon Mili. In the second she is drawing with light. Also by Mili. This was during a 1949 visit to Picasso & Gilot in Vallauris, France. Every time I see similar dates in Europe or Asia on a letter or photograph, I think this is but [ _ ] years after the cataclysm we call WWII. Reading Gilot's books & many accounts of other artists, writers, poets, philosophers, & intellectuals (not to mention everyone--but most did not write memoirs) who stayed -- or were trapped -- in France during the war is harrowing, sobering, & inspiring.

We have Picasso to thank for saving so many of Matisse's works. Of course, there was no small amount hilarity in the old bull's machinations; finally, a worthy use for his extraordinary powers of manipulation: confusing the Gestapo officers on a Matisse canvas hunt. (Picasso hid them in a complicated story. Which is how he tricked the Gestapo.) A synopsis of that some day...unless, hey Pup, Pup? You want to do it? I'm tired. My toof hurts. Well, at least everyone interested in the intersection of art-artists-the-world-in-crisis should (I think) read Gilot's excellent Matisse & Picasso: A Friendship in Art.

Can't get to the TTT tag today but will tomorrow (or ?). It's rainy, drippy, & oof. A creative & peaceful evening to all.

ciao, buona notte

Creativity under pressure...

[From LIFE archives. 1) Françoise Gilot with son, Claude; 2) one of her stresses sitting in his office]